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Door: 20:00h CET
Start: 20:30h CET
Entrance: 0/3/5/7/10 euro (pay wat you can)
It's time for another Extratonal Infrastructure on a Good Friday! It will involve soundscapes made by field recordings, voices, electronics, DJing, glitch, malfunction, atonality, guitars and coding. Sounds will be voiced from queernees, black culture, autoimmunity and grief.
Cat Woywod (it/he/they) will join us from Kassel Germany to perform Catalysing Possible Futures through Non-Linear Time Experiences. Cat Woywod’s live compositions weave sonic topographies with field recordings, electronic processing, and voice. Dreaming through the ears, it creates timespace between Meditation and Catharsis, sounding CripQueer Hope within Apocalyptic Cataclysm.
Djfroggy69’s (he/they) artistic practice is rooted in the Black culture of DJing and MCing. He creates site specific installations/sceneries that are possible to be explored through interaction and listening. In his sets, he samples extensively, borrows other voices, and enjoys blending genres. Every month, he releases the show God's Word in Your Ear, in which he shares what moves him —musically and personally-.
on.soundcloud.com/07mYwHHlMRZQtqwAgh
Diyar* is the duo of Kivanc (they/he) and Cem Altinoz (he/him). It's a sonic experimentation with analog machinery and bodily presence which explores the metaphors and realities of autoimmunity on biological, societal, and systemic levels. It investigates how the very structures designed to protect us become oppressive, reactive, and eventually self-destructive over time. The performance aims to translate the confusion, paranoia and breaking down of bodily and social unity into sound by embracing glitch, malfunction, and atonality as tools to give voice to the silenced, ‘disabled’ bodies, highlighting the body's refusal to perform under systems of control.
kivancsert.com/diyar-roaming-realm
Mitsitron (they/them) is a musician and a sound artist. They have been developing a queer methodology for sound making, caring about how the gender binary, politics of technology and heritage influences the ways we listen and voice. They will present a version of their work in progress "A lament for a future-past" where vocals, guitars and creative coding compose a soundscape for releasing grief.
This event is made possible with the kind support of Popunie Rotterdam, Fonds Podiumkunsten, Gemeente Rotterdam and Stimuleringsfonds Creatieve Industrie.